摘要
“濂洛风雅”是以理学为精神底蕴、代表“濂洛诗派”审美倾向和艺术风格的诗作。从周敦颐、程颢到杨时、陈渊等的诗歌创作,显示为濂溪范式、明道范式和道南范式的承传延衍过程。“濂洛风雅”所表现的诗歌语言风格、诗歌审美境界以及独特文化心理意识、社会心理意识,在比较深刻的层次上反映了理学家的灵魂,它的各种范式都融入了各自的学术个性。
The 'elegance of Lian - Luo poetic school' represented the aesthetic bias and the artistic style of 'Lian - Luo Poetic School' based on the spirit of Confucian Metaphysics. From the poetic works of Zhou Dunyi (周敦颐), Cheng Hao (程颢), Yang Shi (杨时) and Chen Yuan (陈渊), we could see the transition from the paradigms of Lianxi and Mingdao to that of Daonan, which were embodied in their poetic diction style, aesthetic perspective and unique cultural mind of Confucian Metaphysics.
出处
《文学遗产》
CSSCI
北大核心
2006年第2期65-74,共10页
基金
本文为中国博士后科学基金项目(205100-X90001)成果。
关键词
濂洛风雅
濂溪范式
明道范式
道南范式
阳柔
elegance of Lian - Luo poetic school (濂洛风雅), paradigms of Lianxi (濂溪范式), paradigms of Mingdao (明道范式), paradigms of Daonan (道南范式), elegance (阳柔)