摘要
从生命主体性和有限性为本质内涵的“中间物”意识出发,鲁迅直面生命的孤苦并进行“绝望的抗战”;厨川白村也承认生命的主体性和有限性,却以“宇宙人生的大生命”最终消解之并体悟到“生命的共感”,作出“苦闷的象征”的生命抉择。然而两人不同的生命体悟却包孕大致相近的气象,确证生命的“行走”或“动底”状态,在永恒的“当下之行”中展露生命的自由。
This paper attempts to make a comparative study of Lu Xun and Kuriyagawa Hakuson in terms of their interpretation and representation of human llfe in their works. The author argues that, starting from＂intermediate＂eonsciousness of the subjectivity and transience of human life,Lu Xun called for a courage to face up to life＇s hanlships and a＂despemte struggle＂while the latter employed＂symbols of anguish＂in his works as a solution to life＇ s problems. Despite the difference, they understood and interpreted fife in almost the same terms in that they tried to represent freedom of life artistically.
