摘要
两性审美或者两性美学是中外文学史上一个共同的主流命题,但是长期以来被湮没在文学史中。实际上,一部文学史也是一部两性审美史。大致说来,在中国,两性审美以唐宋之交为分界线,形成前后两种不同的两性审美古典形态。唐以前,两性审美基本上呈现出一种和谐、美善相乐的道德化审美形态,这是由于中国文化中两性关系的家庭形态所决定的。
Aesthetics between sexes or the amphoteric esthetics are a common mainstream proposition in the Chinese and foreign history of literature, but it is neglected since long ago in the history of literature. A history of literature also is both sexes esthetic histories. Mentions approximately around, in China ,Aesthetics between sexes junction take the Tang Song as the seqaratrix, forms two kind of different both sexes esthetic classical shapes. Before Tang, Aesthetics between sexes basically present one kind of harmony, the beautiful friendly happy esthetic shape, this is decided by family shape of both sexes relations in the Chinese culture.
出处
《青海师范大学学报(哲学社会科学版)》
2006年第2期80-84,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
两性审美
古典形态
道德化
aesthetics between sexes
classical type
morals