摘要
中国古代美学,历来讲情与理统一,文与道的统一。关于情和理及其关系的认识,受美善统一观念的影响,在艺术创作的指导思想上注重情理统一,在艺术风格上强调中和为美,在艺术表现上注重抒情言志并举,礼乐统一,在人生态度上主张中庸平和。本文将从情理统一论在艺术上的具体表现来解读这对范畴。
The Chinese ancient aesthetics has always put emphasis on the unity of emotion and reason,and the unity of writing and virtue. The cognition of emotion and reason and their relationship is influenced by the concept of unity of beauty and kindness which demands that the guiding principle for artistic creation focus on unity of emotion and reason, that artistic style focus on beauty of mildness,that artistic expresson on unity of lyric and mind,on unity of courtesy and music, and that outlook on life on mean and mildness. The author of this paper intends to reveal this pair of categories from the concrete expression of emotion-and-reason theory in art.
出处
《山西高等学校社会科学学报》
2006年第3期128-130,共3页
Social Sciences Journal of Universities in Shanxi
关键词
情
理
中国古代
审美
艺术表现
emotion
reason
the ancient China
aesthetics
artistic expression