摘要
中国近期影视后现代性强化了世俗愿望的追求,拆解了英雄创业的神话,在放逐各种政治与道德权威话语的同时,破坏了具有历史主义特征的精神模式,使影视更加贴近百姓的感受经验。
The postmodemity of recent Chinese films strengthens the pursuit of secular desires, and breaks the myth of the hero. It also destroys the spiritual pattern with the feature of history and makes art closer to common people' s experience, while banishing various political and moral authoritative sayings.
出处
《辽东学院学报(社会科学版)》
2006年第1期71-73,共3页
Journal of Liaodong University:Social Science Edition