文学史视野中的“大学叙事”

The “University Narratives" in Contemporary Literature

文章以钱锺书刻画“三闾大学”的《围城》,以及鹿桥描写西南联大的《未央歌》为例,讨论抗战中不同类型的大学想像。以杨沫《青春之歌》中的“余永泽”在五六十年代文化语境中如何大受贬抑,而作为原型的张中行、八九十年代出版追忆老北大的“负暄三话”,又如何获得巨大成功,讨论意识形态的转移以及大学形象的改变。至于以北大百年校庆为契机,出现了大批“老大学的故事”,这里所体现的“大学想像”,不仅仅是怀旧,更是自我反省,指向大学历史以及大学精神的重新建构。

This essay discusses the various images of the university during the Anti-Japanese War, using Qian Zhongshu＇ s Wei Cheng （Besiege） and Lu Qiao＇ s Wei Yang Ge （The Song Has not Ended） as examples. It explores the relationship between shifts in ideology and the corresponding changes in the image of the university, as reflected in the different critical receptions of Yang Mo＇ s Song of Youth and the book by the real-life model of its protagonist, Zhang Zhongxing. Yu Yongze, protagonist of the former work, was subject to disparagement in the cultural milieu of the 1950s and 1960s while Zhang met with unusual success in the 1980s and 1990s as he reminisced life in the old PKU in Fu Xuan San Hua. Indeed, the centennial celebration of PKU witnessed the emergence of a large number of nostalgic ＂old stories in the university＂. The images of the university discussed here, however, are not only nostalgic, but also self-reflective, referring to both the history of the university and the reconstruction of its spirit.