感伤的优美——曹文轩新古典主义风格论

The grace of sad——On neoclassical style of CAO Wenxuan

曹文轩坚守“永恒的古典”创作理念,他的悲剧追求有节制的忧郁情调,呈现为独特的感伤的优美。他试图在古典形态的小说中完成对存在的终极追问,从而提升作品形而上品质。他力求以古典的悲悯救赎缺乏情感的现代社会,用温情和关怀化解“孤独”“隔膜”这些现代人生困境,他张扬人生的尊严人性的高贵,同时也不回避人性中的阴暗委琐,但仍是将其作为前者的陪衬有节制地诉说,并以平和的态度给予坚决的否定,从而以美的理想统摄真的现实,建构出和谐的新古典主义艺术境界。

Cao Wenxuan insists on the creation idea of the eternal classical; his tragedy pursues limited blue tone, which shows the unique and sad grace. He attempts to complete the ultimate question to the existence in the classical shape novel so as to have a promotion for metaphysical quality of his works. He makes effort to redeem the modem society with the deficient emotion by the classical grief and to melt lonely and the mutual lack of understanding - - - these modem life dilemmas with feeling and concern. He does not only make widely the life dignity and noble human nature known, at the same time, also does not avoid the gloomy and the petty in the human nature. But he still puts the former in the more primary position than the latter, and gives the latter a firm denial by the gentle manner, and so as to control the real reality by the beauty ideal and construct the harmonious neoclassical art circumstance.