摘要
马丽华的《走过西藏》作品系列是文学与人类学结合的完善典范,作品具有独特的地域风貌和审美风格。从审美体验看马丽华的创作,可从中窥见她由一浪漫诗人成长为文学人类学作家的心路轨迹,也可观照出她由激情放歌到理性烛照的写作历程。
Going Through Tibet written by Ma Lihua is a perfect example of integration between literature and anthroplogy.The works are characterized by special regional features and aesthetic style.To read Ma's works from aesthetic experience,one can get a hint of her pilgrimage from a romantic poet to a literary anthropoligist and her writing experience from emotionally singing to rational candling.
出处
《广西民族学院学报(哲学社会科学版)》
CSSCI
北大核心
2006年第2期152-157,共6页
Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)
基金
西部文学人类学作家马丽华研究之三--广西民族学院科研基金资助课题
关键词
马丽华
文学人类学
审美体验
审美风格
Ma Lihua
literary anthropology
aesthetic experience
aesthetic style