摘要
从上个世纪的“王洛宾”现象到近年的“刀郎”现象,新疆本土歌曲创作与传播呈现出了“沉默”与“爆发”的对比,并在此规律中循环发展,这背后是否存在着必然联系。本文试图通过一些现象去探寻现象后的本质,以此来认识新疆本土歌曲创作与传播的现状。
For many years, the local songs of Xinjiang have been loved by the world for the beautiful melody, lively rhythm, and the color with mystery. Many composers have been working with unfailing assiduity to write songs so that many works of high quality become famous and widely spread. The local songs of Xinjiang have been developing steadily. On the other hand, with Wang Luobin' s phenomenon and Duolong s phenomenon, contrast of "highs "and "lows" were made in the creation of local songs in Xinjiang.
This paper attempts to explore the nature of Wang - Luobin' s phenomenon and DuoLang ' s phenomenon and to recognize the existing state of the local songs in Xinjiang.
出处
《新疆艺术学院学报》
2006年第1期47-52,共6页
Journal of Xinjiang Arts University
关键词
“王洛宾”现象
“刀郎”现象
新疆本土歌曲
Wang Luobin' s phenomenon
DuoLang ' s phenomenon
Local songs in Xinjiang