冀东影调腔风格的二胡曲研究

Teaching Study of China Kongzi Melody with East Hebei YINGDIAOQIANG Style

近些年来,具有冀东影调腔风格的二胡曲创作日渐增多,这类二胡曲的创作大都以冀东唐山皮影戏的声腔音乐为素材,吸收冀东地区民族民间音调、戏曲音乐进行器乐化的创作处理,形成了具有鲜明的地域性、剧种性特色的冀东影调腔风格。笔者试图通过对唐山皮影戏音乐的挖掘整理,来揭示影调腔风格二胡曲的艺术特色,以及教学活动中演奏此类风格二胡曲应遵循的艺术规律。

In resent years, the compositions of China Kongzi melody with East Hebei YINGDIAOQIANG style are coming into bloom progressively. Among them, there are JIANCHUANGHUA, which is written by Wang Shuliang and Liang Qi; YINGDIAO, which is composed by Li Xiuqi and Liu Jun; and YINGDIAOSUIXIANG ＂ HANGONGLIAN written by Wu Hua. These melodies use the tone music of Tangshan Shadow Play of east Hebei as fodder, absorb the civil tone of east Hebei region, and process the drama melody into instrumental music. The compositions have bright regional and drama character of east Hebei YINGDIAOQIANG style. The writers of this article try to find out the art character of China Kongzi melody with YINGDIAOQIANG style and the rule in teaching the melodies of this style by grubbing and trimming the music of Tangshan Shadow Play.