摘要
从美术史的角度来分析苏东坡的“胸有成竹”与郑板桥的“胸无成竹”立论的提出原由,既可发现竹子对中华文化影响的渗透深度,又可证明中华民族优良传统不断发展、与时俱进的鲜活力度。
The reasons for the presentation of Su Dongpo's idea of bamboo's connection to a well-thought-out plan and Zheng Banqiao's idea of not sticking to eatablished practice are analyzed with regard to art history,which shows the deep influence of bamboo on the Chinese culture and also proves the vigorous Chinese tradition in its constant development and epochal character.
出处
《世界竹藤通讯》
2006年第1期41-43,共3页
World Bamboo and Rattan
关键词
胸有成竹
胸无成竹
创新精神
well-thought-out plan
not sticking to established practice
innovation spirit