中国当代先锋戏剧的语言策略

Language Stratagems of Some Recent Chinese “Avant-garde" Plays

在中国当代先锋戏剧中,语言固有的诗性被颠覆。随着统一完整的剧场趋于分化瓦解,戏剧本体发生裂解,导致构成戏剧诗的两大基本形式———造型与语言疏离,有的向着动作造型方向转化,舍弃语言的作用要素;而有的则转向于语言的放大,走向更纯粹的语言试验。这自然是后现代情势下先锋戏剧语言操作的两极。

The poetic of the language is undermined in Chinese contemporary avant-garde drama. As a result of the disintegration of the idea of the organic whole in theatre, stage practice has witnessed a split between the plastic and the literal, leading to a polarization between spatial adventure and linguistic experimentation.