摘要
稼轩晚年再罢,闲居瓢泉,创作了大量词作。这些词往往以隐逸闲适的面貌出现,与以往相比表面显得平和了些。但稼轩的个性与深层意识都和现实有不可调和的冲突,怨是根本,闲适是无奈,稼轩的情感始终在出世与入世的两极摇摆中痛苦挣扎,既不能忘世,又无法“救世”。把稼轩老来的情感归宿归结为传统道家文化,则不免失之皮相。
Being dismissed again in his remaining years, Xin Qiji leaved for Piaoquan and lived there leisurely, creating a lot of poems, which seemed comfort and carefree constrasted with the former. But the weaknesses of the character and indomitable personality made him confused. The key feeling of his Piaoquan poems: unhelped superficial leisure but the fundamental resentment. He swung heavily between the two absolute different attitude, that is,"attend the world"or "aviod the world", and struggled bitterly, because he couldn't forgot but also couldn't help. It does go too far to make his feelings end belong to the traditional cultrure of Taoist school directly and simply.
出处
《南阳师范学院学报》
CAS
2006年第2期39-44,57,共7页
Journal of Nanyang Normal University
关键词
辛弃疾
瓢泉词
情感特征
闲适
怨愤
Xin Qiji
Piaoquan poems
emotion trait
in leisure
discontent and indignation