论元代隐逸山水画的纯粹性

On the Simplicity of Hermitic Landscape Painting in the Yuan Dynasty

隐逸山水画在宋代几经挫折,产生了很多作品,但就其纯粹性而言,仍不及唐代,山水画中的隐逸文化略呈颓势。山水画在元代才摆脱颓势,完成了对唐代山水画的隐逸回归和升华,对后世山水画的发展产生了十分深远的影响。

After several setbacks in the Song Dynasty （960-1279）, many products of hermitic landscape paintings in the Yuan Dynasty （1206-1368） were yielded. But in simplicity, they are not as good as those in the Tang Dynasty （618-907）. The hermitic culture in landscape paintings seemed a little decadent, but the decadence in the painting was not broken away until the Yuan Dynasty, and the hermitic character of landscape painting in the Tang Dynasty returned and got sublimated. It has a profound influence on the later development of the landscape paintings.