《挪威的森林》与《红玫瑰与白玫瑰》两性模式比较

Comparison of the Patterns of the Two Sexes in Norwegian Wood and The Red Rose and the White Rose

男人如何安置自己的灵与肉,如何通过女人找到自己在世界上的位置,村上春树与张爱玲在各自的作品中给出了不同的思考。直子与绿子共同构成了男性作家对于美好女性救赎男性灵魂的想象,然而,“肉”的缺席使得不真实的“灵”与爱无力确立男性的存在。张爱玲则以女性立场书写男性欲望投射里的情妇与妻子,以娇蕊与烟鹂红白玫瑰身份的转换,道出了男权中心主义在灵与肉之间的焦虑与尴尬。男人只有以创造性的生活为依托,作为一个独立的个体确立了自己的“在”,才能完成自己对现实的“本体性否定”,建立新的二元性生活,找到自己身体与心灵的位置。

Haruki Murakami and Eileen Chang had different ideas, in their own works, how man helps his own soul and flesh and how man, in relation to woman, finds his own ways in the world. Naoko and Midori compose male writer＇s imagination of fair woman saving man＇s soul. Because of the absence of flesh, however, soul and love untrue was too frail to confirm the existence of man. Eileen Chang, in the feminine position, wrote of fancy woman and wife overcastted by man＇ s desire. By the identity shift of Jiao Rui and Yah Li, the writer disclosed the anxiety and awkwardness of androcentrism between the flesh and the soul. Only by way of creative living, man can establish his existence, accomplish his subjective negation of reality, establish new dualistic life and find his own position for his body and soul.