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延客与惑君——兼谈唐诗中胡姬的形象塑造 被引量:9

Entertaining Guests and Tempting the Emperor ——A Discussion of Huji's Image in Poems in Tang Dynasty
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摘要 胡姬是唐诗中经常出现的一类文学形象。文章认为,唐代诗人塑造的胡姬形象大体有两类,一类是生活在市井之中的酒家胡;另一类则是宫廷或官贵人家的歌舞伎。前者在唐诗中的形象正面积极,是大唐盛世繁华的象征;后者则在安史之乱的特殊背景下背负了惑君的罪名。但是,唐人对安史之乱的反应是多方面的,这种复杂性同时也影响到了时人对胡姬的评判。 There were a lot of poems portraying "Huji" in Tang dynasty. The author thinks that most"Huji"in the poems could be devided into two groups. One was"Jiujia-Hu", who lived in cities and sold wine, another was singers and dancers in imperial court. The images of the former were active, since they were symbols of the flourish empire; while the images of the latter were much negative because they were considered as tempters who let the emperor degenerated and caused the An Lu-shan rebellion at last. The author pointes out that people in Tang dynasty made different reactions to the An Lu-shan rebellion, which also affected their attitude to "Huji".
作者 蒙曼
出处 《新疆师范大学学报(哲学社会科学版)》 2006年第1期111-115,共5页 Journal of Xinjiang Normal University(Philosophy and Social Sciences)
关键词 唐代 酒家胡 胡旋女 安史之乱 Tang dynasty Jiujia-Hu Hu-xuan dancers the An Lu-shan rebellion
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参考文献1

  • 1(美)谢弗[E.H.Schafer]著,吴玉贵.唐代的外来文明[M]中国社会科学出版社,1995.

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