从文采风流和情采风流到自然风流和尽得风流——论魏晋文学的审美自觉与唐代文学的理论构建

From Rich Literary Talent and Wide Emotional Ranges to Distinguished Natural Beauty and Sophisticated Free Expressions ——On the Aesthetic Consciousness of Wei Jin Literature and the Literary Theoretic Building in the Tang Dynasty

风流是一个经过了魏晋文学的审美自觉孕育与唐代文学的理论构建的包蕴极广的美学范畴。魏晋文采风流和情采风流的审美自觉到唐代杜甫祖述文采风流、皎然标举自然风流、司空图揭橥尽得风流,从而完成了诗学范畴的理论构建。

Fengliu is a wide aesthetic category undergoing the aesthetic consciousness of Wei Jin literature and the theoretic building of the literature in the Tang Dynasty. The theoretic building of poetic study is completed after the aesthetic consciousness of rich literary talent and wide emotional ranges in Wei Jin, and rich literary talent of Dupu and distinguished natural beauty of Jiao Ran and sophisticated free expressions of Si Kongtu in the Tang Dynasty.