摘要
从画面造型和声音造型两方面解读电影《阮玲玉》,三个具有暗示性的画面造型展示阮玲玉的悲剧命运;而影片的声音造型是为画面造型服务的,充分体现了声画合一。
The author tries to interpret the film Yuen Ling-yuk from two parts of picture and round. In the film, there are three implicit scenario giving the hints of Yuen Ling-yuk' s tragical life. And since the round part worked congruously for the picture part, the film performed perfectly in the harmony with both parts.
出处
《南京师范大学文学院学报》
2006年第1期15-18,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University