从法国新古典主义看中国文人画

Attitudes on Chinese literators' paintings from the point of French Neo-classicalism

法国新古典主义艺术家们带着对古罗马艺术和文艺复兴艺术的无限崇拜之情,规定了固有的艺术程式,试图寻找出一条完美的规律来创作艺术,从而使艺术达到一种高度理性的美。而中国文人画代表人物董其昌也大力提倡寻找一条笔墨规律来规范文人画的创作与审美。两者有极大的相似性。本文通过对两者相似性的比较来论述中国文人画的美学特征。

With boundless adoration to arts of ancient Rome and Renaissance, the artists of French neo-classicalism regulated inherent artistic formula, trying to find a perfect rule for the art creation so as to achieve art＇s highly rational beauty, whereas Dong Qichang, the representative of Chinese painting literators, also advocated energetically seeking for a word rule to regulate their creation and aesthetic judgment. They share some similarities. This thesis dissertates the aesthetic features of Chinese literators＇ paintings by comparing their similarities.