九叶诗派之“意象”理论探究

The Investigation of the Poem Party Jiuye's "Imagery" Theory

九叶诗派在充分借鉴中西意象理论,并且有机结合本国新诗创作实践的基础上,提出诗歌美学观念的核心应当是“意象”。他们认为意象是思想和情感互为表里的凝合,并就意象与人类潜意识、意象与意义的关系进行了深入探讨。九叶诗派根据意象发展的精神特点,将意象的发展归纳为自觉意象、悟性意象和凝合意象三个阶段,并对意象运动的二种范式及其动力来源作了详细阐释。在20世纪40年代中国诗坛,九叶诗派的意象理论无疑是一个独特的存在。

Reviewing imagery in East and West, combining Chinese modem poetry organically, the Poem Party Jiuye puts forward that ＂imagery＂ is the core of poem aesthetic idea. Poets of Jiuye think that imagery is the synthesis of idea and sensation, and they also discuss about the relationship between imagery and the potential consciousness of the human being, imagery and the meaning embedded. According to the immaterial characteristic of imagery development, the Poem Party Jiuye reduces imagery to three phases, self- conscious imagery, intellectual imagery, integrated imagery, exposes imagery movement＇s two kinds of forms and its drive sourse amply. The Poem Party Jiuye＇s imagery theory exists extraordinarily without question in Chinese Parnassus in the 1940＇ s.