异曲同工 同工异趣——瓜里尼、维加的戏剧理论与中国明代戏剧理论的比较

Similarity in Difference Difference in Similarity——A Comparative Study of Gualini and Weijias Dramatic Theory and that of Ming Dynasty in China

瓜里尼、维加打破传统界限,创造了悲喜混杂剧,并从理论上作出阐释。他们在西方文论史上的贡献主要在于选择了一个新的角度,转换了一个新的方向。与瓜里尼、维加的戏剧理论相比较,明代的戏剧理论在戏剧真实性、戏剧语言通俗化、戏剧舞台理论等方面有着自己独到的见解以及与他们的相通之处。

Gualini and Weijia went against tradition by creating tragicomedy and gave a theoretical explanation. They mad a great contribution to the Western art criticism mainly because they examined the matter from a new angle. Compared with their Dramatic theory, theorists of Ming Dynasty held their own views about authenticity, language popularization and stage theory of Drama. On the other hand, they had some in common.