相异文化背景下的诗化自然:陶渊明与华兹华斯

Probing into the Different Ideas of Tao Yuanming & Wordsworth's Idylls

中国厚重的儒道文化中“天人合一”的思想底蕴深深地影响着陶渊明的思想和诗风,他能把心身与自然和谐相处,融为一体;而在西方理性分析文化滋养下的华兹华斯却常常以充满情绪、累积经验与价值判断的“我”去观照自然。因此,在自然与人的关系中,即使他在深情地呼唤“依恋自然”、“回归自然”的原始情感时,也始终没有忘记和真正消除自我与自然的相对独立性。这便是陶渊明与华兹华斯自然诗的显著差别。

The profound idea of China＇s heaven and man are of one having a great effect on Tao Yuanming＇s ideas and poetry, who merges his mind and body into the nature harmoniously, whereas the Western rational analysis nourishes Wordsworth, which leads him to have a relative independence to the nature as he calls deeply for the primitive emotion of ＂attaching to the nature and returning to the nature＂ in their relationships, as is the obvious difference between Tao Yuanming and Wordsworth in their idylls.