中国画教学在美术师范专业中的突围

Breakthroughs in Chinese Painting Teaching for Normal Majors of Fine Arts

西方现代主义在和西方后现代主义同中国传统艺术观念的碰撞与挑战使中国当代美术的触角和视野获得了前所未有的拓展和延伸。面对如潮般的西方文化,我们封闭太久的本土文化一时也表现出了不知所措,失去了原有的那份平静与从容。中国传统绘画亦如其他历史悠久的传统艺术形式,出现了“危机之争”。在此背景下,要解决美术师范专业中国画教学中存在的诸多问题,需要遵循中国画内在发展规律,突出临摹在美术师范专业国画教学中的重要作用。

The conflicts between the Chinese traditional idea on art and the west modernism as well as west post - modernism result in an unprecedented extension of the Chinese modern fine art. Confronted with the tide of west culture, our long -closed local culture is at a loss what to do, losing its peace and indifference. Like other traditional arts with a long history, the Chinese traditional painting drops into a crisis. Against such a background, for the sake of solving problems in the Chinese painting teaching for normal majors of fine arts, we ought to follow the interior development rules of the Chinese painting and play the important role of imitating in the Chinese painting teaching for normal majors of fine arts.