东方美学视野下的中国书法

On Chinese Handwriting From The View Of Eastern Esthetics

东方美学和艺术是不同于西方美学和艺术的另一种美学体系和艺术形态。长期以来,我们以西方美学原理来阐释中国书法,难免有牵强附会之嫌,而以东方美学来观照中国书法具有更强的针对性。本文将中国书法置于东方美学的语境中,试图从中国书法的审美取向、书法的语言、书法创作、书法接受、书论的言说方式等入手,具体分析东方审美观和东方美学的象征性、强烈的主体性和情感性、直觉体验性、诗性的理论言说等特点在中国书法中的体现。

Eastern esthetics and art are quite different from that of western. In the long term, we expain Chinese handwriting from the view of weastern esthetics, which gives a forced interpretation. This paper, from the view of eastern esthetics, by analyzing the esthetic tend and language of Chinese handwriting, tries to reveal the features of eastern esthetics and esthetics view, which are symbolism, strong subjectivity; emotion, direct experience and poetic theory, emdodying in Chinese handwriting.