摘要
文学创作是被压抑的愿望的满足。美国现代戏剧之父尤金·奥尼尔的创作也不例外。无论是从其个人经历或是其剧作中的人物形象,都可看出奥尼尔身上具有显著的俄狄浦斯情结。本文以弗洛伊德主义有关文学的理论为依托,利用心理分析概念如压抑、转移和升华对奥尼尔的俄狄浦斯情结进行了探讨和分析,以期深刻地挖掘出促使其从事戏剧创作活动的深层心理动机。
Literary creation is the fulfillment of repressed wishes. Eugene O'Neill, father of modem American drama is no exception. Both his personal experiences and the characters in his works show that O'Neill has pronounced Oedipus Complex. By using such psychoanalytical concepts as repression, displacement and sublimation on the basis of Freudianism pertinent to literature, this paper intends to excavate, in great depth, the hidden motives of his dramatic career.
出处
《重庆文理学院学报(社会科学版)》
2006年第2期55-58,64,共5页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
关键词
尤金·奥尼尔
俄狄浦斯情结
压抑
转移和升华
Eugene O' Neill
Oedipus Complex
Repression, Displacement and Sublimation