摘要
随着文人画的发展,画上留款题诗——诗画同体,作为绘画文人化、文学化的一种表现,自然也盛行起来。明中叶吴中画家的诗画同体形式处于一种历史发展、新变的阶段,而且他们诗画的表现形态因此也受到影响,如诗画综合表现力的增强,诗画“尚意”性等。
Along with the development of the scholar paintings sport, writing the poems on the paintings-the poems and paintings existing in a place, as a sort of performance of the inclining toward the scholar kind and the literature kind, was naturally widely accepted. The form of the existing-in-a-place of the poems and paintings of the central region of Wu in the middle period of the Ming Dynasty was placed in the stage of the development and new variety, and the performance of the poems and paintings thus also suffered the influence such as the strengthening of the comprehensive performance ability and emphasizing "Yi" of the poems, paintings and so on.
出处
《苏州大学学报(哲学社会科学版)》
北大核心
2006年第2期96-101,共6页
Journal of Soochow University(Philosophy & Social Science Edition)
关键词
吴中诗画
同体
表现力
“尚意”性
poems and paintings of the central region of Wu
existing-in-a-place
performance ability
the kind of emphasizing "Yi"