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从启蒙到反思:两种现代性的生成 被引量:1

From Enlightening to Introspecting:Arising of Two Modernities
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摘要 “现代性”是一个含意丰富的概念。我们可以按照马克思的社会结构两分法,从社会存在和社会意识两个路径首先将现代性分成社会现代性和文化现代性。文化现代性在最初主要体现为启蒙现代性。启蒙现代性是社会现代性在哲学上文化上的代言,其核心与基础是理性主义。随着从鼓吹启蒙到反思启蒙,文化现代性又裂变出审美现代性,从而形成审美现代性与启蒙现代性(或社会现代性)的对抗,这就是学界所谓的“两种现代性之争”。 The meaning of modernity as a concept is multiple. According to the dichotomy of society and structure of Marx, we can make the partition into social modernity and cultural modernity firstly from the two approaches of social existing and social consciousness theory. The cultural modernity initially is represented as enlightening modernity, which is a prolocutor in the field of philosophy and culture, the core and basic are rationalism. With the changes from advocating enlightening to introspecting it, the cultural modernity fissions to aesthetic modernity, which formed the conflict between aesthetic modernity and enlightening modernity (or social modernity), which is so-called "the conflict of the two modernities".
作者 吴浪平
出处 《沙洋师范高等专科学校学报》 2006年第3期43-46,共4页 Journal of Shayang Teachers College
关键词 社会现代性 文化现代性 启蒙现代性 审美现代性 理性主义 反思 social modernity, cultural modernity, enlightening modernity, aesthetic modernity, rationalism, introspect
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