摘要
1909年诞生的《路标》文集对俄罗斯文学的转向起了巨大影响。1913年,围绕是否上演陀思妥耶夫斯基《群魔》一剧,两派知识分子展开了激烈争论。两种对立观点表明了知识分子对革命和文化不同的接受态度。争论最终以高尔基的沉默而告终,事实上这标志着俄国文艺知识分子对19世纪革命文学传统的告别。
The Signpost, which appeared in 1909, had great influence on the transforming Russian literature. Two groups of intelligentsia began a fury debate on the staging of Dostoevsky＇ s The Possessed in 1913. The divided opinions indicate the different attitudes of intelligentsia to the revolution and culture. The debate ends in Gorky＇ s silence, but in fact, it is a farewell to 19th century＇ s revolutionary tradition for Russian intelligentsia.
出处
《外国文学研究》
CSSCI
北大核心
2006年第2期58-64,共7页
Foreign Literature Studies
