“灵韵”:在原型与互文性之间——对机械复制时代艺术创造问题的思考

ON Aura in Archetype and Intertextuality——Thinking on Art Creation In Mechanical Reproduction Period

本雅明对艺术发展趋向的技术性考察使我们获得了进一步探究机械复制时代艺术创造问题的契机。“灵韵”衰竭的过程就是去宗教化的过程,它显示出了古代性与现代性的对立。从人类学的角度看,对古代性和现代性问题的分析可置换为“原型”与“互文性”的问题来加以审视。“灵韵”就存在于原型与互文性之间,以本雅明的技术性视观的分析方式来看,这既是指艺术内部(自律)的,也是指艺术外部(他律)的,它是二者的统一。

Walter Benjamin＇ s technological examination to arm development tendency finds us an opportunity further research of mechanical reproduction period . The process of aura extinction is a dereligious one that shows the opposite of ancientnees and modemess . In anthropological perspective the analysis of ancientness and moderness can displace archetype and intertextuality . Aura lies in archetype and intertextuality , which , in Benjamin＇s perspective, is the unity of the internal law and the external law of art.