西方绘画样式的个体重组

Recombination on Western Paintings

艺术史习惯把乔托(G iotto d i Bondone)作为奠定西方近代绘画传统的天才人物。在他之前的艺术与人类的整体发展样式同步,主要处于与自然相对而立的阶段,神朝雕饰、冥器彩绘、室内镶嵌、教堂建筑等主要反映了群体生活的宗教和神话特色。就是一些为数不多的公共艺术也是一个群体自然竞争的载体,战争的纪念柱,胜利的凯旋门、政议厅,帝王像,主要还不是考虑到集体生活的个人意识。乔托的出现,这些发生了变化。

In the history of art, Giotto di Bondone, a genius, is often regarded as the founder of latterday tradition in western paintings. Before him, art was developed with human beings synchronistically, mainly in a step which existed to nature. For instance, carvings, colored drawings on funeral objects, incrustations indoors and buildings in cathedrals chiefly reflected religion and mythic features of group-living peoples. Even the few public art forms were also thought as carriers of competition in groups, seldom thought about the individual conscience in collective life. Poles in memory of wars, triumphal arches, senate chambers and portraits of paramount chives are the major representatives.