论赵树理小说中的权力—文化关系

On the Power-culture Relation in Zhao Shuli's Novels

赵树理的小说是对20世纪30、40年代封建宗法制度下乡村生活的文化表现,其中隐喻着一直伴随着中国现代化里程的,尤在乡村社会显现深刻的权力—文化关系。这种权力—文化关系在“敲钟”与“上供”的宗教仲裁、“捉奸”与“名声”的道德指任,以及“老槐树文化”与“神仙文化”的自足性补偿等三个方面展开,精警地揭示了专制与权力怎样以世俗宗教的形式框囿了农民的物质生存形态与精神生存样式,并转而以文化和传统的名义让他们对之默认与遵从。在“三农问题”日益引起世人关注的今天,60年前赵树理小说对乡村生活的惊人体察,仍让人佩叹不已,这是赵树理小说的当代意义。

Zhao Shuli＇s novels, reacted to the rural culture life of feudal patriarchal system during 1930＇ and 1940＇, had manifested deep power-culture relation in the rural society particularly, which have been following modernized mileage in China all the time. The religious arbitration of ＂Strikes a gong＂ and ＂makes an offering＂, the morals conflict of＂sex＂ and ＂the reputation＂, the compensates of ＂Chinese old scholartree culture＂ and ＂deity culture＂, were the performance of power-culture relation, which announced precisely the autocratic and power how limited material and spirit surviving shape and design of peasant in the form of common customs religion, and how to let they acquiescence and comply with in the name ofculture and tradition. Today when people eoneern ＂Three Rural Issues＂ day by day, the preeise deseription of village life in Zhao Shuli novels 60 years ago, still let people admire endlessly, which is the contemporary meaning of Zhao Shuli＇s novels.