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寄生、共生还是对抗?——文学创作与批评的关系转变及当代英国“学院小说” 被引量:3

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摘要 从所谓的寄生干文学创作走向与其互依共生,在共生中又遭遇作家和文本的抵制,文学批评与创作之间的关系变化微妙而复杂。本文通过细读英国当代学院派作家的小说和批评著作,从中管窥西方当代学者们在探讨和表现该问题时对这一组二元对立的建构、解构和重建,进而表明文学批评和文学创作正是在依赖、颠覆和冲突等张力中求得生存和动态发展。
作者 宋艳芳
出处 《当代外国文学》 CSSCI 北大核心 2006年第2期96-104,共9页 Contemporary Foreign Literature
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共引文献7

同被引文献18

  • 1李公昭.小说批评与批评小说——兼论费德曼的《要就要不要拉倒》[J].解放军外国语学院学报,2001,24(5):77-82. 被引量:1
  • 2钱冰.《占有》的悖论:高度的传统和醒目的后现代[J].外国文学,2005(5):77-80. 被引量:9
  • 3周宪.高谈阔论——南京大学人文社会科学高级研究院系列讲座[J].南京大学学报(哲学.人文科学.社会科学),2007,44(1):57-71. 被引量:20
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  • 10Desblache, Lucille. Penning Secrets: Presence and Essence of the Epistolary Genre in A. S. Byatt's Possession [J]. Esprit-Createur 40, 4 (2000): 58-62.

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