摘要
赵孟頫因以宋室后裔身份入仕元朝,故历代论者对其毁誉不一。通过联系时代和书画艺术发展历史可以看出,正是因为他的出仕,才使他的艺术观念得以风靡,并成为元代艺坛的主流。因此,对赵孟頫的出仕,应该把他放到一定的高度去认识,去理解,不能简单地以“丧失民族气节”来加以否定,或者攻其一点不及其余。
Zhao Mengfu, as a descendent of the Song Dynasty became a royal official in the Yuan Dynasty, for which scholars in different historical periods hold entirely different opinions in commenting him. This article, by combing the historical age and the development of calligraphy and the Chinese paining, points out his becoming a Yuan royal Official enabled his art view to be popular and become the main stream on the Yuan art forum although he got a bad fame, which might influence people's correct comment upon him. We, therefore, should have a better understanding of him, not just negate him by saying "losing nationality dignity".
出处
《湖州师范学院学报》
2006年第3期99-102,共4页
Journal of Huzhou University
关键词
赵孟頫
出仕
书画艺术
Zhao Mengfu
being a royal official
the arts of calligraphy and Chitlese painting