贾樟柯的现象世界

Phenomenological World of Jia Zhangke

本文从现象学的视角选择贾樟柯电影为观照对象来考察第六代电影的价值与缺憾。贾樟柯电影采用一种“现象写实主义”的审美观,以自身的生命体验融入被主流社会所忽视的边缘人物,为观众展现了一个较之传统电影更为真实生动的世界,从而扩展了中国电影对现实反映的广度。但在刻意彰显“个人化”立场时,缺少了“普遍性的诉求”,因而难以承担思想提升的使命。

Choosing Jia Zhangke＇s movies as an example, this thesis wants to study the value and shortcomings of the sixth generation Chinese movies from the phenomenological visual angle, Adopting ＇phenomenological realism＇as the aesthetics in his movies, Jia adds his own life experiences to those who are ignored by the main stream of the society, and show the audiences a world that is realer and more vivid than the traditional Chinese movies, in that he enlarges the reflection of the reality by Chinese movies, However, Jia＇s movies are short of ＇general appealing＇ while they displays the ＇individual＇standing point, so that they can not bear the task of promoting ideas.