摘要
接受美学认为,读者不仅参与作品的创作,而且是丈学作品的最终创造者。杜甫诗歌从唐到宋所经历的从狂歌到诗中六经的转变,是不同的政治文化背景下读者不断创造的必然结果。
According to receptive aesthetics, readers not only participate in creating works, but also ultimate creators of literary works. Du Fu' s poems experience the transformation from jubilant poems to six Confucian classics, which is caused by the continuous creation of readers under different political and cultural background.
出处
《贵阳学院学报(社会科学版)》
2006年第1期53-55,共3页
Journal of Guiyang University:Social Sciences
关键词
狂歌
儒学
诗圣
文化转型
jubilant
Confucianism
holy poet
cultural transformation