意象审美与文化批判——苏童的“枫杨树系列”研究之一

Image Aestheticism and Cultural Criticism: A Study of Su Tong's "Chinese Ash Series"

意象是艺术创作的重要载体,苏童通过原始化思维,创造出大量的意象,确立了自己与现实的审美关系,完成了自己精神上的还乡。同时,也表现了一种深刻的文化悲剧意识。

The image is an important carrier in the artistic creation. Through primitive thought, Su Tong creates massive images, establishes his own aesthetical relations with the reality, returns to his own spirit home, and at the same time, displays a kind of profound cultural tragic consciousness.