摘要
在西方艺术史上,印象派与18世纪法国绘画都属于那些最为令人难忘的时代。本文透过托马斯·克劳的社会学视野,超越形式与风格,来内视艺术、艺术家与政治权力、赞助、批评以及市场之间错综复杂的关系。
In the western art history,the impressionism and 18th French painting are all belong to the ranges of those most impressive ages' arts.This thesis through the sociologic view of Thomas Crow,beyond form and style,to inspect the complex connections between the art,artists,and political power, patronage, criticism and market.
出处
《艺术探索》
2006年第1期30-41,共12页
Arts Exploration
