摘要
伽达默尔对游戏问题极其关注,并在《真理与方法》一书中引入了游戏概念。他是从艺术作品本体论的意义上来论述游戏概念的:区别于康德等哲学家,伽达默尔的游戏观强调了艺术品自我表现的本质,发现了艺术作品的真理参与特性。论文从历史、重构、意义三个方面进一步讨论伽达默尔的游戏概念。
Gadamer concerns on problem of play very much, and introduces the concept of play into "Truth and Method". He discusses the concept of play from the significance of art ontology. Gadamer' s view on play emphasizes the essence of art' s self - expression, finds out the characteristic of art' s truth, is different from Kant and other philosophers. Discusses the play concept by Gadamer from the aspects of history, reconstruction and significance.
出处
《沈阳工程学院学报(社会科学版)》
2006年第2期142-144,共3页
Journal of Shenyang Institute of Engineering:Social Science
关键词
伽达默尔
游戏
重构
Gadamer
play
reconstruction