摘要
泰州学派被称为“狂禅”。罗汝芳对“狂禅”的整合与改造是重要的环节。他主张纵横任我,生意活泼,将活泼泼的生命存在的冲动置于审美心意结构的核心,由审美本体、审美工夫、审美体验三方面构成。罗汝芳融合周易、禅宗、道家学说,使“狂禅”虚灵的层面日益凸显。
The category of Kuang Chan is considered as aesthetic inclination by Taizhou School. Luo Rufang, who advocated self-indulgence and vivacity, took the critical step to integrate and reform it: the impulse of lively existence of all emotions was put at the heart of the aesthetic emotional structure, composed of aesthetic noumenon, work and experience. Book of Changes, Zen and Taeism were reconciled harmoniously so that Kuang Chan turned more profound and illusory than before.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2006年第2期45-48,共4页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
江苏省重点高校建设项目(04YT0102A)
关键词
美学范畴
狂禅
罗汝芳
泰州学派
aesthetic category
Kuang Chan
Luo Rufang
Taizhou School