拜占庭、老人、金枝——叶芝诗歌的艺术符号学解读

Illustration of the Artistic Symbology Yeats' Poetty

艺术符号学认为,借助一种客观事物的描绘对情感进行象征性的表现,给情感形式找到一种客观同构物??意象,这意象载体就是艺术符号。艺术的情感外形化就是情感的客观化过程,也就是艺术符号化的过程,艺术符号化是指运用语言媒介进行艺术造型,以造型来表现情感。本文以艺术符号学的理论解析了爱尔兰著名诗人叶芝的代表作《驶向拜占庭》中文学意象潜隐的意蕴,并运用原型批评方法,从文化人类学的角度对诗中主要艺术符号形式的形成进行了深层次的探讨。

Artistic symbology thinks that the symbolic expression to emotion with the help of description of objective reality can find an objective and same thing for the emotional form image, whose carrier is artistic symbol. The contour of artistic emotion is the process of making emotion into objectivity, that＇s to say it is the process of changing the art into symbol. From art to symbol, it refers to using language medium to make artistic model and expresses emotion with model. This paper explains literature image potentials in＇To Byzantium＂, the representative work of Irish famous poet Yeats, and applies the original critic method to explore the deep study about the forming of main artistic symbol in the poetry from the point of view of the cultural anthropology.