“前奏曲与赋格”套曲的写作(上)

Writing of the Suite Prelude and Fugue (Ⅰ)

本文主要讲述了“前奏曲与赋格”套曲中主题材料的发展,织体形式的变换形成了上下起伏展转交替与首尾组合体相映的安排,前奏曲常采用一些普通的体裁和手段,使其具有现代化的音响效果。赋格曲大都是将复调的传统写法与创新倾向相结合。扼要地说明了套曲中所采用的各种技法和发展手段,对力求推进、扩大、改变和展示复调准则所起的作用。

The author treats with the development of the thematic materials in his suite, and the undulating exchange and the beginning - ending combination by changing the texture.