摘要
本文以20世纪90年代后期以及21世纪初的几部女性电影作品为研究文本,试图论述这几部女性电影的两个转向:其一是近期女性电影从性是生成的到性是流动的观念的转变及由此带来的新的身份定位倾向。其二是论述近期女性电影以小众姿态获取大众性所表现出的从先锋到媚俗的转向,从而说明这几部女性电影的相关特点。
This paper examines the shifts of directions in the number of women＇s films between the 1990s and the early years of the 21 st century. One shift occurs in the emergence of new identity alongside the change of views from sexuality as natural-born to that in fluidity. The other shift takes place when women＇s films move from being vanguards to pandering to public opinions as they become more popular and beyond a small and specialized audience. Through the analysis of these shifts, the paper discusses the films＇ common charaeteristics.
出处
《妇女研究论丛》
CSSCI
北大核心
2006年第2期51-55,共5页
Journal of Chinese Women＇s Studies
关键词
女性电影
身份塑造
先锋
媚俗
women＇s films
identity
frontrtmner
pander to public opinion
