摘要
小说的散文化在中国现代文学史上是一场革命。从鲁迅、郁达夫、庐隐到沈从文、废名、萧红,他们对中国小说发展的一个重要贡献在于,他们通过自己的创作,丰富了小说的样式。在他们的小说中,小说的本质已不仅仅是讲故事,它还可以抒发一种情怀和感受,与中国传统小说相比,故事情节明显弱化。本文试通过鲁迅等有代表性的作家来分析现代小说的散文化倾向以及这种小说散文化倾向形成的原因。
The cloak-and-dagger prose turns is a revolution on the Chinese contemporary literature history. From Lu xun,Yu da fu ,Lu yin arrive Shen tong wen,Fei ming,Xiao hong ,discard an a major contribution for, they develop to the Chinese novel consist in, they pass own artistic, enriching the cloak-and-dagger style. In their novel, the cloak-and-dagger innate character has not only only is to speak the story, it can but also expressed a kind of state of mind with feels, compares with Chinese traditional novel, obvious weakening in details in story. This text tries to pass Lu xun etc contain representative writer turn the reason to turn the tendency formation to the modem cloak-and-dagger prose that analyze tendency and this kind of cloak-and-dagger proses.
出处
《邢台职业技术学院学报》
2006年第2期61-63,共3页
Journal of Xingtai Polytechnic College
关键词
现代小说
散文化
倾向
原因
The modem novel spreads the culture inclines to the reason.