摘要
“图像”在一定程度上体现了当时社会的生活特征和文化特征。分析20世纪前半叶丰子恺的漫画可以看出,承载着丰厚的乡野文化传统的丰子恺对其时都市上海日常生活,从人(“冷漠与温馨”)与物(“人工与天然”)两个层面展开批判,这其实反映了都市与乡野在文化层面上的对立。为了缓解这种紧张关系,丰子恺从护生画集(慈),儿童相(真)和旧诗新画(静)这三类漫画中努力营造出一方精神净土藉以栖身。
The characteristics of the social life and the culture in that time are often reflected in the images. From Feng Zikai's cartoons in the first of half 20th century, Feng Zikai with rich rural culture background criticizes ordinary life in Shanghai from two aspects including being and thing, which reflects the confliction between urban and rural. Culture in order to relieve the spiritual anxiety, Feng Zikai tries to build a benevolent, true and peaceful world through his three kinds of cartoons.
出处
《宝鸡文理学院学报(社会科学版)》
2006年第1期29-33,共5页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
丰子恺漫画
乡野
都市
Feng Zikai's cartoon
Urban Culture
Rural Culture