论陕西文学的审美形态及其流变

The Aesthetic Morphology and its Evolution in the Shaanxi Literature

陕西文学在长期的发展过程中其审美形态发生着明显的流变。20世纪前半叶陕西作家的创作呈现出的是悲壮情怀;从40年代开始,追求崇高成为陕西作家们的创作主旨,塑造人物注重于形象和精神方面的高大完美。在新的历史时期里,叙写人生苦难成为陕西作家创作的基本内容之一。这种人生苦难,主要体现在生活罹难、情感(爱情)煎熬、精神苦痛等三个层面。90年代以来,陕西作家对传统文化和乡村文化加以审视,其创作流露出文化困惑与批判意味,文化悲剧成为这一时期许多作品主要的审美特征。

There has been an obvious evolution in the literary aesthetic morphology in Shaanxi. In the first half of the 20th cerltury, the works by the Shaanxi writers took on a solemn aud stirring sentiment. But since 1940s, the pursuit of nobility has become the dominant theme of their writings focusing on the strong characterization of grand and perfect characters. In the new era, these writers have begun to tell stories about the sufferings and miseries of the life. The sufferings and miseries are embodied in the description of living hardships, mental torments and spiritual agonies. Since the 1990s, the writers in Shaanxi have come to reflect on the traditional and rural culture, their works implying both frustration and criticism. Cultural tragedy becomes the aesthetic feature of the major works of this period.