摘要
20世纪许多学者对《乐记》表现出浓厚的研究兴趣,大家以敏锐的视角论述了《乐记》中一系列的核心概念、范畴和命题,并通过对《乐记》中所体现的哲学、音乐美学思想的研究,向我们展示了《乐记》是通过怎样的方式来解决一系列音乐美学基本问题的。20世纪对《乐记》的研究主要集中在以下三个方面:1、关于作者与成书年代问题;2、《乐记》整个思想体系的哲学基础;3、《乐记》中的音乐美学思想。
There were a number of scholars done the research on Yueji (Book of Music), a Chinese historical music documents during 20th century, and their focus were on three main aspects: its writer and finished in which year, its philosophy base for the whole ideological system, and its thoughts of music aesthetics.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2006年第2期61-69,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
20世纪
《乐记》研究
礼乐
20th century, Yueji (Book of Music) ,research, Liyue (System of rite, morality andmusic)