摘要
文章从实践美学的角度分析了音乐指挥实践的过程特征,音乐指挥存在形式与实践的关系,音乐指挥个体与群体的统一关系,音乐指挥的物质性与精神性转化的跃进,音乐指挥的审美与实践的自由感,以此揭示音乐指挥的恒新恒异的创造和独特的审美价值。
From the viewpoint of practice aesthetics, the article analyzed the process features of music conducting practice, the relationship between existed form of music conduct and its practice, the unified relation between the individual of music conduct and group, as well as the music conduct aesthetics and sense of free to practice. It unveiled the creation and individualo aesthetics value for music conduct.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2006年第2期70-74,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
音乐指挥
实践美学
自由感
music conduct, practice aesthetics, free value, sense of free