中国古代文学批评理论的操作性研究

The Operational Research of the Chinese Literary Criticism Theories

中国传统文学批评因一味地强调主体修养,忽视了批评方法的建设,淡化了有效批评模式的建构。以主体修养来应付一切,在“诗无达诂”、“熟读精思”、“书读百遍,其义自见”的批评教义下,实现了对方法与模式的回避,萎缩了批评的锐气,钝化了批评的锋芒,从而最终将批评引渡到哲学的王国,沉醉于玄览古奥的自恋自娱的境界,丧失了批评的大众化与普及化功能。

The Chinese traditional literary criticism neglects the construction of critical method and downplays the conseruction of the valid animadversion mode because of emphasizing the corpus accomplishment persistently, cope with everything with the corpus accomplishment. Under the animadversion doctrine of ＂the poem did not reach the explanation＂, ＂reading sively＂, they avoid methods intensively and thinking over＂, ＂a profound understanding results from reading intenand modes, atrophy the animadversion drive, blunt the critical sharp point, thus bring the criticism into the kingdom of philosophy eventually, deeply drunk in the state of mystery and amusement, and lost the critical popularization and universal function.