摘要
中国戏曲在传统审美心理的影响下,从表演内容到表演形式都具有虚拟性的美学特征。这种虚拟性是对生活的提炼与概括,是以引起观众以假思真的真实感为目的的生活真实与艺术真实的高度统一,成为中国戏曲的基本美学特征。
Under the influence of traditional aesthetic psychology, Chinese opera possesses the "fictitiousness" aesthetic characteristics from the contents of performance to the style of performance. Such fictitiousness is the refinement and generalization of life. It is the high unification of life reality and artistic reality with the intention of arousing the audience's apparent sense of reality, and it becomes the basic aesthetic characteristics of Chinese opera.
出处
《昭通师范高等专科学校学报》
2006年第2期60-62,共3页
Journal of Zhaotong Teacher's College
关键词
传统戏曲
虚拟性
意象
traditional opera
fictitiousness
imagery