摘要
20世纪40年代的权威小说理论在战争的特殊背景下,表现出了非传统意义上的“典型化”特征。这一具有“两极对立性”理论特征的小说要求,不仅在小说的人物塑造上作出了规定,在选材构思、结构布局、情节模式及艺术倾向上也对小说进行严格的控制。此时期非权威的小说理论在对前述“典型化”理论的极端性、对立性进行纠偏的同时,其理论自身也与前者形成了“极端的对峙”。
Under the background of War, the authoritative novel theory of the-1940s shows its non-traditioral character of typicalness. The extremely confrontative character of the novel requirement not only stipulates the principle of portraying personage, but also strictly oontrols the rule of material selection, artistic oonception, structural arrangement, artistic tendency, etc. While rectifying the extreme- ness and oorffrontation, the non- authoritative novel theory of the time itself extremely oorffronts the former.
出处
《殷都学刊》
2006年第1期73-76,共4页
Yindu Journal